Movie
Ayyanar
Director
SS Rajamitran
Producer
P L Thenappan
Music
Thaman
Cast
Aadhi, Meera Nandan, Mahadevan, Ravi Kale,Santhanam
Ayyanar
Director
SS Rajamitran
Producer
P L Thenappan
Music
Thaman
Cast
Aadhi, Meera Nandan, Mahadevan, Ravi Kale,Santhanam
Ayanar coming out of producer Thenappan’s pocket, who has a strange knack of producing movie which will enrich his pocket back. I feel Ayanar would not fill his pocket due to fragile script and its getting released without a big buzz in an already overcrowded market. Director Raja Mithran’s screenplay is quite adequate but his script gives him away, with many logical flaws with some disconnection to the story as well. Aadhi’s coming fresh out of Eeram is adept for the role; however you could get shades of his Mirugam’s body language. He doesn’t want to restrict himself as an offbeat hero. Instead, he wants to expose his talents as a mass hero as well, which is a good sign. Meera Nandan looks okay, but as the trend goes she does not have a meaty role to test her waters. Jayaprakash as Aadhi’s father is as usual very good, but the biggest distress of the movie is Santhanam with his negligible role. Couple of songs is quite good, but other songs make this script look even worse with big letdown back ground score. Editing is poor in this movie, which gives you light on the flaws of the script.
The story opens with Prabhakaran burying his dead younger brother mimicking as him to his mother over the phone. The whole story is shown as a flash back that reveals why Prabhakaran hides his younger brother’s death. The clash between the leads makes you feel that Prabhakaran has actually killed his brother but then, there is something suspenseful element is revealed during climax. The flash back travels from the village to the city, and shows Prabhakaran fighting goons, getting hitched, romancing.
The movie does not work well, because there are serious questions on miss logic in the script. You tend to ridicule that for couple of instances, but when that becomes a usual stance, then it just fails to catch your attention. This makes the movie to be pretty slow, and if at all Mithran has concentrated on a tighter script, this film definitely had the credentials of becoming an entertainer.
The story opens with Prabhakaran burying his dead younger brother mimicking as him to his mother over the phone. The whole story is shown as a flash back that reveals why Prabhakaran hides his younger brother’s death. The clash between the leads makes you feel that Prabhakaran has actually killed his brother but then, there is something suspenseful element is revealed during climax. The flash back travels from the village to the city, and shows Prabhakaran fighting goons, getting hitched, romancing.
The movie does not work well, because there are serious questions on miss logic in the script. You tend to ridicule that for couple of instances, but when that becomes a usual stance, then it just fails to catch your attention. This makes the movie to be pretty slow, and if at all Mithran has concentrated on a tighter script, this film definitely had the credentials of becoming an entertainer.